ISEA 23-30th. The International Symposia on Electronic Arts in Durban, South Africa presents:
“Eskin 4 the visually impaired”
There is little chance for visually impaired people to engage in a world of culture that is so visually dominant. The aim of “Eskin 4 the visually impaired” is to create a trans-disciplinary platform to enable visually impaired participants to become performers alongside their own pre-recorded audio content and local ecological stories. In a workshop prior to ISEA 2018, seven visually challenged participants from the Mason Lincoln Special School in Umlazi, Durban will work with two Durban dancers and the Swiss-based media art group AIL Productions, under the direction of Jill Scott. Together we will develop navigation potentials inspired by current research in AI, neuroscience, augmented reality and wearable computing. The role of the media art team is to visually interpret the individual stories and audio content for a sighted audience and to support the performers to be creative on a mediated stage. Here, technology is used as a platform for social engagement that will amplify the voices of this local community and empower them with new navigation and orientation skills. The workshop results will be shown in a final performance, where the audience is introduced to a unique experimental theater format.
AIL Productions, Switzerland: Jill Scott (concept and director), Marille Hahne ( audio-visual documents, lighting design), Andreas Schiffler (systems designer), Andrew Quinn (reatime visual design and programming) , Vanessa Barrera Giraldo ( electronics and audio engineering) and Valerie Bugmann (interactive sound design). Visually Challenged Participants from Durban:Mason Lincoln Special School in Umlazi, Durban, Nomkhosi Gumede, Nompumelelo ZIkhali, Nozipho Zungu, Balungile Thwala, Melusi Khumalo, Vusumuzi Khumalo and Sboniso Ngubane. Dancers from Durban: Lorin Sookool and Thobile Maphanga. Co-producers:Tyla Coppinger (ISEA), Bongeka Gumede (Mason Lincoln School). SPONSORED BY PRO HELVETIA- The Swiss Arts Council
The iPhone version of Jellyeyes is available here
Latest events / talks
Women*, Art and Feminism in Australia since 1970 seeks to bring together diverging and complementary views on feminism, its history, practice and critical positions in the visual arts.Women* Art and Feminism in Australia since 1970 Federation Hall, 7-17 Grant Street, Southbank, VIC 3006
Lecture: Mediating Perception
This lecture traces my work about the mediation of perception and the characterizations of the body. I explore the changing roles in performance and media art practice from 1975 to the present. From the early 70s, the body was seen as an art medium along with analogue video and sound, while in the 80s, post-modern coded information played with the seductive role of women who were digitized on the screen. In the 90s our perception was mediated by the potentials of virtual characters and object-oriented interfaces. This talk includes eleven of my past artworks that directly relate to feminist art practice and my own context of women in technology and science. How has technology affected the way we “see” our bodies, its representations and our metaphors of identity? This question has led me to focus on how our own sensory perception lies at the heart of art practice and transported me inside the anatomy where perceptual behavior at the molecular, cellular and systems level takes place. The results are “mediated sculptures” that invite the viewers to use their own tactile sensory perception in “real time” and at the same time, engage with cultural metaphors and specific representations of gender.
Thursday 29. March, 12.00 - 13.30
University Of Technology. Design Department. Sydney
Lecture Title: Art and Design meets Science: The Swiss Artists-in-labs Program 2002 - now
Since 2003, The Artistsinlabs Program has placed over 40 artists into many different Science Labs in the life sciences, physics, cognition, computing and engineering. In this presentation I will give an overview of this history, an outline of the methodology we had to invent and an idea of how to facilitate this exchange for other people who might be interested to set up similar programs in their own institutions. Within this program my colleague Irène Hediger and I have facilitated international residencies for artists, exhibitions, concerts and publications, research projects and Art/Sci/Culture exchanges. The program and its methodologies have evolved through various stages and the funding sources have changed alongside the growth of art and science into a new discipline. I will also address this new discipline from the perspective of an artist and designer who works at the intersection of neuroscience, art and ecology.
The main panel event for the Jellyeyes Show (12th July) can be downloaded here: Press release, PDF
Jellyeyes (2016 - current)
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Step 1 | Download the JellyEyes Photo here
Step 2 | Download the App from the iTunes App store here
(Attention: This app is full of beautiful films and images and is therefore 1GB in size. You will need an iPhone 6 / 7 or the latest iPad running iOS 10 for optimum performance.)
Step 3 | The App now has a German version available. To switch to German simply go to your iPhone / iPad Settings > scroll down to the Jellyeyes App > Select German Version
Step 4 | Once purchased the app will ask you for permission to use the camera, select yes.
Step 5 | Point the camera of the iPhone or iPad at the downloaded photo and enjoy!!